Introduction: Ian McMurray

Hello friends,

My name is Ian McMurray, I received my BA in Writing and Film/Media Studies from Johns Hopkins University, and I'm currently a first-year MFA student in the Writers' Workshop (fiction track). As an undergrad I worked in my university's WC and thoroughly enjoyed my time there, so here I am now.

Most of the writing I do these days is creative in nature, with a particular focus on the short story form, however I relish the strong critical essay or long-form journalism piece. In terms of the craft of academic/critical writing, I'm particularly interested in how and why various cultures prioritize different writing voices.

In my free time I enjoy playing with my dog, reading, running, listening to podcasts, and going to the movies. Some of my favorite creative writers are Adam Johnson, Flannery O'Connor, Andrew Sean Greer, Toni Morrison, Sandra Cisneros, Anthony Marra, Denis Johnson, and Karen Russell; some of my favorite critical writers are Alex Tizon, Rachel Aviv, Emily Nussbaum, and Katy Waldman.

I look forward to working with you!

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Ian Post #5

Maybe this is an odd tangent to pursue as a blog response, but one aspect of Phillip's writing that I wish Brice had gone into further detail about (assuming she had access to the information) was WHY Phillip got a B- on his assignment. From what I read, Phillip's personal story sounded endlessly interesting, and I thought his decision to structure this tale of his life using the narrative tradition (the four-act structure) of his culture was ingenious/appropriate, a merging of historical form with modern content. So, even if the writing of Phillip's piece wasn't perfect (Brice notes his control over the piece wasn't universal), it sounds both entertaining and heartfelt, and what's more, conceptually ambitious. Basically, knowing nothing about the professor in question, but given the loose, informal-seeming tone of this project, and given Phillip's obvious enthusiasm for the project (he wrote 12 pages when only five were expected), I was really surprised to ...
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Ian Post #9

I think it's important for WC staff to perform research because, as Bedford points out, WC tutors have to compel their students to improve their writing even when we don't always know how best to compel them. Further research will hopefully continue to clarify how best to tailor a session to every student's individual needs, but for now I feel swaths of information are still missing. I feel this particularly acutely with my PhD statistics student. I've talked about the difficulties of working with a student who is producing a type of writing that feels fundamentally different to the writing I normally work with (so, writing that revolves around mathematical formulas instead of language analysis), and I'd be interested to see research conducted on how to best serve the writing of mathematicians. Although I'm trying my best with this student, in my heart of hearts, I cannot believe that I am truly helping her "grow" as a writer - each week I think I'...
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Warren #9

Q: How important do you think it is for writing center staff to pursue writing center research? Why? What sorts of research could we propose for IWCC? I feel it's important for writing center staff to pursue research because research can be beneficial for tutors (and sometimes students). It has the potential to help tutors understand new pedagogical approaches and strategies, and develop ways to improve a writing center, to name a few. One of the challenges in conducting this research, particularly for those who are fairly new to writing centers, is to come to understand what areas of research are relevant. On the one hand, this can be accomplished by comparing the scholarship on writing centers with one's own tutoring experiences. On the other hand, tutors may want to come to their own understanding first of how a writing center functions (or doesn't function), and then search for those issues in the scholarship to see if they've been addressed. In either scenario, I...
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